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As an added bonus, each episode was named after a Gang Starr song.
#HIP HOP EVOLUTION NETFLIX ED PISKOR SERIES#
In 2016, the now-canceled Netflix series Luke Cage was set in Harlem and boasted a mostly African-American and Latin-American cast. This comes from a place of love.” - Axel Alonso to CBRĪs representation on and behind the page started to increase, the intertwined industries began to snowball. It is the musical score for a lot of our lives. “This variant program is an opportunity to show not only my love for hip-hop culture, but also the love of so many in Marvel's freelance community.
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The covers served as an authentic homage to the culture and music that influenced a generation of creators in the comic book industry. Vice versa, a generation of comic book creators started bumping hip-hop in their tape decks and on their record players. Not only do hip-hop and mainstream comic books share a spiritual bond but also a geographic one.Ĭonsequently, from the ‘70s onward, a decades-spanning symbiosis began: generations of New York hip-hop heads would begin regularly reading comic books. Like hip-hop, both Marvel and DC call New York home, the former basing their superheroic tales directly in the city with the latter creating fictionalized versions of the Big Apple in Gotham and Metropolis-“Gotham,” in fact, was a sobriquet for New York in the 1800s. In both hip-hop and comic books, creators and creations turned trauma into triumph.Īs it pertains to mainstream comics, the connection to hip-hop is directly linked to proximity. Just like the African-American and Latin-American youth in the post-Vietnam Bronx, the comic book golden age saw creators turn their traumatic past into a tool of empowerment. Jerry Siegel, Joe Shuster, Bob Kane, Bill Finger, Stan Lee, and Jack Kirby-the six founding fathers of the comic book industry-all came from first-generation European immigrants and created superheroes in a post-WWII America. On an even deeper level, hip-hop practitioners and comic book authors share an overlapping origin story. Comic books helped give birth to a generation of hip-hop superheroes, and that simply wouldn’t be possible if they didn’t share the same life force. Young emcees, DJs, b-boys and graff writers, much like their favorite superheroes after discovering their superpowers, would select an alter-ego complete with a matching style that reflected their everyday wardrobe and personality. Then there are the similarities hip-hop practitioners share with the characters in-between the comic panels. All you need to write a rap or create a comic strip is a pencil and a notepad. Both comic books and hip-hop are cyclical self-perpetuating collages.Īt the grassroots level, both hip-hop and comic books are an accessible medium for anyone experiencing low economic means. How Batman mixed The Shadow and Zorro is no different than how hip-hop artists continue to flip not just samples but samples of samples. The mere idea of the superhero itself echoes themes and subject matter from Ancient mythology to the Bible. From The Spirit onward, mainstream and independent comics have been replicating their own characters and scenarios as well as lifting inspiration from broader literature and popular culture. Hip-hop’s sampling of jazz, blues, soul, and itself mirrors comics’ own self-invention. The influence of comic books on hip-hop poetically reflects the similarities between both art forms-each is a pastiche wonderland. Even today, the originators of the ‘70s and ‘80s still boast ties to comic books: Graffiti legend Mare 139, featured in Style Wars, has illustrated comic book art, and Darryl McDaniels, aka DMC, one third of the legendary Run-DMC, has been printing comics under his publishing house Darryl Makes Comics (DMC) since 2014. DJ Kool Herc, the Godfather of hip-hop, took his name after Greek demigod Hercules, the ancient template for the superhero archetype.
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Grandmaster Flash’s namesake even shares the same moniker as many comic book characters, from Flash Gordon to DC’s various speedsters and Spider-Man bully Flash Thompson. In 1979, one year before the release of “Rapper’s Delight,” Grandmaster Flash and the Furious Five released “ Super Rappin’,” a record that marked their arrival as real-life superheroes. In 2019, new superhero movies are released to theatres every month and have captured the pop culture zeitgeist, but this shared thread allowed superheroes and comic books to effortlessly and unconsciously permeate hip-hop culture.